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New Order Brings ‘Blue Monday’ to Life at SXSW in Must-See Performance

New Order Brings ‘Blue Monday’ to Life at SXSW in Must-See Performance

The South by Southwest (SXSW) music festival started with a bang as electronic pop pioneers New Order opened it with their classic hit, “Blue Monday.” The performance marked a significant moment for the festival. It returned in-person after two years of virtual events due to the COVID-19 pandemic.

In this article, we’ll look closer at New Order’s performance, the history behind “Blue Monday,” and what attendees can expect from the rest of the SXSW music festival.

New Order’s Performance at SXSW

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New Order’s performance at the SXSW music festival was highly anticipated, with fans excited to hear the band’s classic hits performed live once again. The band did not disappoint, as they kicked off their set with “Blue Monday,” a song that has become synonymous with the band’s legacy.

The crowd at the festival was in high spirits, with attendees dancing and singing along to the iconic song. New Order’s performance was a reminder of the power of live music and the sense of community it can create.

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The History of “Blue Monday”

“Blue Monday” was released by New Order in 1983 and quickly became a hit in the UK, reaching number nine on the UK Singles Chart. The song’s popularity continued to grow, and it has since become one of the most recognizable and influential songs in the history of electronic music.

The song’s distinctive sound was created using a combination of analog and digital instruments, including a Roland TR-808 drum machine and an Oberheim DMX drum machine. The track’s synthesizers and drum machines set the standard for electronic music production. Its influence can still be heard in many pop, and electronic music hits today.

What to Expect from the Rest of the SXSW Music Festival

The SXSW music festival is one of the most significant events in the music industry, featuring a diverse range of artists worldwide. This year’s festival promises to be no different, with an exciting lineup of performers set to take the stage.

In addition to these headliners, the festival will feature performances from up-and-coming artists across various genres, including rock, pop, hip-hop, and electronic music.

Attendees can also look forward to other events and activities, including panel discussions, film screenings, and networking opportunities.

Conclusion

New Order’s performance of “Blue Monday” at the SXSW music festival marked a significant moment for the event, as it returned to in-person programming after two years of virtual events. In addition, the performance was a reminder of the power of live music and the sense of community it could create.

The festival promises to be an exciting event for music fans, with a diverse lineup of performers set to take the stage. From headliners like Billie Eilish and Haim to up-and-coming artists across various genres, the SXSW music festival will have something for everyone.

Flogging Molly Rocks Austin: An Electric Night at ACL Live Reviewed

Flogging Molly Rocks Austin: An Electric Night at ACL Live Reviewed

Review of Flogging Molly’s Concert at ACL Live in Austin, Texas


As a fan of live concerts, I was over the moon to hear that Flogging Molly was coming to ACL Live in Austin, Texas. I had heard so many great things about the venue and was eager to experience it. To top it off, I was excited to see that Skinny Lister and Anti-Flag were also on the bill. It was shaping up to be an incredible night of music.

An Opening Act Worth Raving About – Skinny Lister

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Skinny Lister opened the show, and from the moment they took the stage, it was clear they were the perfect band to get the crowd going. With their unique blend of traditional folk and energetic punk, Skinny Lister had the crowd shouting and dancing along to every song. Their set was filled with catchy tunes and lively performances, and I was thoroughly impressed by their musicianship and stage presence.

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One of the standout moments of their set was when they played their hit song “John Kanaka.” The crowd was singing along and swaying to the music, which was a beautiful moment of unity. Skinny Lister‘s performance was incredible, and they set the tone for a fantastic night of music.

A Supportive Scene – Anti-Flag

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Next up was Anti-Flag. They brought a message of political awareness to the stage. Their songs are not only musically talented but also serve as powerful statements about current events and issues. As the crowd sang along to their most famous songs, including their hit “American Attraction,” it was clear that the message of Anti-Flag resonated with the crowd.

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One of the highlights of their set was when they played their powerful anthem, “Die for the Government.” The crowd was fully immersed in the song’s message, and it was a moment that I’ll never forget. Anti-Flag delivered an excellent performance, and their energy and message set the stage for Flogging Molly’s headlining set.

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Flogging Molly Stole the Show

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Finally, Flogging Molly took the stage, and they stole the show! Their high-energy and infectious songs had me dancing and singing along from start to finish. They opened with one of their most famous songs, “Drunken Lullabies,” and the crowd went wild. The energy in the room was electric, and I was in awe of the sheer talent of Flogging Molly.

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Throughout the night, Flogging Molly performed a mix of classics like “Devil’s Dance Floor” and newer hits like “Reptiles (We Woke Up),” and the crowd was thrilled with every song. The band’s energy was contagious, and it was impossible not to be swept up at the moment. The night’s highlight was when they closed their set with their hit song “What’s Left of the Flag.” The crowd sang along, which was a fitting end to an unforgettable night.

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A Night to Remember at ACL Live


In conclusion, this concert was a night to remember. The atmosphere at ACL Live was incredible, and the venue was the perfect setting for an unforgettable night of music. Skinny Lister and Anti-Flag set the stage for a fantastic show, and Flogging Molly stole the show with their energetic and infectious performance. I’m already counting the days until I can attend another show at this fantastic venue. If you’re a fan of live music, I highly recommend checking out ACL Live and catching a show there. You won’t regret it!

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Primus Returns To The Legendary ACL Live For A Band Of Dual Sets

Primus Returns To The Legendary ACL Live For A Band Of Dual Sets

The ACL Live Moody Theater embraced the weird on Thursday night as Primus arrived in Austin for a celebration of the bizarre.

The evening began with the return of Austin natives, The Sword, who came to the stage with hissing guitars, swelling the anticipation of their first song, and upon hitting the fever pitch slammed into the opening riffs of Freya. Like a strung bow finally released, this return to the stage for the band flew effortlessly through their setlist with fans roaring in excitement. The catharsis was lovingly sweet and also crunchy as the band served up a short but satisfying list of their hits, including Tres Brujas, Lawless Lands, and Cloak Of Feathers. The band even devoted an Austin encore in the form of Iron Swan, which was an audible thank you note for a hometown that had been waiting patiently for their regrouping.

After the house lights faded a second time, bombastic music blared on the PA welcoming to the stage the eclectic Alternative Rock Maestros, Primus into the spotlight.

Starting the first of their two sets, the thunderous riffage of the Les Claypool started to take shape in the form of Too Many Puppies, a favorite for the Dog-Friendly Austin, I’m sure. The first set was comprised of the best of the band’s nearly 40-year history and proceeded in a noticeably unusual format where songs could just blend in and out of each other. For instance, during My Name Is Mud, Les Claypool and the band just trailed off after the second verse and fit Jerry Was A Racecar Driver into the setlist before returning to Mud and the remainder of the song. It’s not that Primus is just weird for the sake of weird; almost in a way, it’s easier to make sense of their eccentric nature when their more cartoon-heavy influences are allowed to surface. Aside from the cartoons that play on the screen behind them, it goes a long way to explaining their most mainstream pop-culture nexuses coming in the form of South Park and Robot Chicken. Songs like Groundhog’s Day and Lee Van Cleef seem to show this floaty yet abrasive energy perfectly. It is also through songs like these that one understands that the band would probably have been passed over for their oddity long ago if not for the remarkable talent of its three members.

After a brief intermission, the band took the stage again for a complete cover of Rush’s A Farewell To Kings album. Why?

Just because.

Les is a big fan. These are the best reasons as far as anyone can discern. A powerful tribute to their progressive progenitors and a chance to see the band mark their claim as some of the finest musicians that fate has brought together. And it was well-received from the audience, especially when they were called upon to help sing the chorus to Closer To The Heart. Of course, once the final notes of Cygnus X-1 had rung out, Primus closed the night on an encore of their remaining material including The Toys Go Winding Down, Tommy The Cat, and A Southbound Pachyderm.

Soul Asylum Avoids Derail By Delivering Solid Performance At ACL Live

Soul Asylum Avoids Derail By Delivering Solid Performance At ACL Live

Soul Asylum w/ Local H – ACL live Austin TX August 30th, 2021

Photos & Review by Andrew Calvio

Soul Asylum brought their hits to Austin’s ACL Live at Moody Theater on Monday night to an underwhelming crowd of Gen Xers. Maybe it was the pandemic, maybe it was just because of Monday. Local H joined them on this leg of the tour. After a dull 2020 music scene, they came as a welcome relief to get the wheels in motion again. 

Local H

This powerful duo out of Illinois took the stage with command as the night started. To celebrate the 25th anniversary of the album As Good As Dead, Lead singer and founding member Scott Lucas announced that they would be playing the album in its entirety.

Breaking from the norm, Lucas then started with the recognizable opening guitar line of their biggest hit to date Bound for the Floor. The middle-aged crowd loved it as they chanted along with “you just don’t get it, you keep it copacetic.” Local H tore through the first four songs rolling from one to the next without skipping a beat.

As the set progressed Lucas and drummer Ryan Harding never slowed down, only pausing to take an occasional drink. Harding took on the persona of Animal from the Muppets banging the skins and keeping the beat going. As they were beginning to wrap up their show Lucas encouraged the audience to stand up in this seated venue. To put an exclamation on their performance, Ryan Smith the lead guitarist for Soul Asylum joined them onstage to fill in on bass for the final two songs.

Overall, Local H put on a high-energy show that left me wanting another listen of their second studio album released in 1996.

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Soul Asylum

“Runaway train never going back Wrong way on a one-way track” 

Admit it, you know it….. you love it. It’s a classic that’s hard to resist. 

Soul Asylum opened with Got it Pretty Good a track off their latest album Hurry Up and Wait released in 2020. Dave Pirner the sole remaining original member poured his Soul into this performance as if it were his first tour. Singing and at times straining to reach the notes of hit songs written 29 years ago, Pirner kept driving forward to ultimately settle in and win the audience over. Being seasoned veterans of the music scene, the setlist was well balanced with songs off their most commercially successful album Grave Dancers Union peppered throughout.

Having a rockstar presence is all about keeping the audience engaged. The frontman didn’t shy away from filling in the silence between songs with a few dad jokes that were so corny that you couldn’t help but laugh. Maybe that’s because dad jokes are gold to me, my family not so much. As Runaway Train started I was anxious to hear the harmonizing vocals, I’m always a skeptic. Guitarist Ryan Smith and bassist Winston Roye nailed it with their buttery vocals putting my mind at ease. Drummer Michael Bland with an expansive musical career was consistent with his rhythms and kept the group on track throughout the entire show.

Soul Asylum was definitely a nostalgic show for me. As the tunes played, memories from high school days came back to mind putting a smile on my face. It was a shame that we couldn’t pack the house for this band. 

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Setlist

Got it pretty good

Shove 

Misery

Little too clean

Losin’ it 

Nice guys

By the way

String of pearls

Here we go

Homesick

Veil of tears

Lately 

Hopped up feelin’ 

Good for you

Black gold

Runaway Train

Closer to the stars

Just like anyone

Can’t even tell April fool

Wu-Tang Clan at ACL Live October 7th,2019

Wu-Tang Clan at ACL Live October 7th,2019

The legendary Wu-Tang Clan made their way to Austins very own ACL Live to commemorate 25 years this past Monday, October 7th, 2019

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