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Strait from Moody Center Etches In Memories For The Soul

Strait from Moody Center Etches In Memories For The Soul

Words & Images by Andrew Calvio

Austin’s newest venue hosted its official grand opening celebration with a two-night engagement dubbed “Strait from Moody Center.”

The King of Country Music George Strait headlined the night with special guests Willie Nelson & Family and Randy Rogers Band. With a price tag of $375 million. The Moody Center is a state-of-the-art facility with a capacity of 15k featuring club seating and several Austin area food vendors. The 530,000 sq ft arena was well thought out to provide an intimate experience for guests with its incredible acoustics and the quality of the images projected onto screens so viewers don’t miss a thing.

Opening the night was Randy Rogers Band. Set upon a diamond-shaped stage in the middle of the arena, Rogers and his band played a short 5 song set that set the mood and got the program headed in the right direction. Willie Nelson & Family followed with an hour-long set that spanned decades opening with Whiskey River. Celebrating his 89th birthday, Nelson sat in the middle of the stage with his trusty and instantly recognizable guitar Trigger while the band surrounded him to help provide the soundtrack for the evening. Only pausing briefly between songs, the hits just rolled one after another. After wrapping up Angel Flying Too Close to the Ground, Willie smiled and acknowledged the crowd with “I hear you” bringing thunderous applause and cheering from every seat in the house. There are songs that have been written that people connect to emotionally for their own reasons, You Were Always on My Mind is one of those. The feeling in the air was one of amazement and joy as memories rushed by.

Tears were shed. Lightening the mood, Willie blazed through crowd-pleaser Roll Me Up and Smoke Me When I Die. From there the band hit several more classics on the way to the finale including Georgia, Good Hearted Woman, and Hey Good Lookin ‘amongst others. To end the night Willie Nelson & Family played their version of It’s Hard to Be Humble a country music classic written by Mac Davis in 1980. It was a great end to the set as the lyrics meant to be satirical actually ring true to the country legend. Nelson left the stage as the band played him out to Tequila while Willie loaded into a golf cart to be driven off the arena floor. Instead of the popemobile, we got the Williemobile.

The anticipation built as time moved on between sets. Up next was King George himself! With the stage being in the middle of the floor there was only one way for the artist to enter the stage. The lights went down and the spotlight lit up the path as the band made its way out. As George Strait stepped into the light the building erupted. The country music legend is no stranger to these entrances as he graciously took it in and circled the stage smiling and waving on his way to his guitar.

On stage, there were microphones on each corner of the diamond-shaped platform that Strait would take turns singing at in order for the entire audience to experience some face time. Letting the guests know what to expect, the band opened with Here For a Good Time before rolling into classics Ocean Front Property, Check Yes or No followed by I Can Still Make Cheyenne. There was no absence of energy from the 69-year-old country star. His unmistakable baritone is still as strong as it was 40 years ago. Halfway through the set, a short commercial for Codigo played as the band started the song named after the tequila. The visuals that splashed across the monitors made it feel as if we were fully immersed in the commercial as well.

Taking a break from the music, Strait welcomed a Military Warriors representative along with a veteran to the stage and awarded him keys to a mortgage-free home! Getting back to business, the Ace in the Hole band kicked off The Fireman. Growing up this song was one of my dad’s favorites (retired firefighter) so naturally, this one really made me smile as they played it out before queuing into another Strait classic The Chair. Setting up for the next song King George mentioned that he never got the chance to Sing One With Willie as Nelson joined him onstage to run through the song with the same name. The two legends harmonized gloriously in unison as the music of Pancho and Lefty played behind them on their second song. It really was a special moment to have both musicians on stage together. At one point it appeared that Nelson’s emotions were overcoming him as he felt the moment in the air. When the song was over Strait led the crowd in singing Happy Birthday to Nelson as he walked off stage. I’m so grateful that I get to have that memory.

The familiar opening fiddle of Amarillo By Morning filled the arena as the night continued. Finishing the set strongly, the band played through Troubadour before closing with Unwound. As the band took their bows they left one by one. The knowing crowd cheered loudly and lit up the arena with lights from their phones. As expected, George Strait and his band came back out to play an encore starting with All My Exes Live In Texas before rolling into Take me to Texas. Paying tribute to Tom Petty, Strait then covered You Wreck Me bringing a different element to help conclude the evening.

Fittingly the last song of the night was The Cowboy Rides Away. The 31-song set was jammed-packed with hits that made you leave wanting more. George Strait definitely lived up to his title as the King of Country music and could have easily played for hours longer if time permitted. This was a great show that was the perfect grand opening for a venue that will certainly deliver more legendary memories in the future.

Dropkick Murphys Tour Brings Celtic Punk Rock to Stubbs BBQ in Austin

Dropkick Murphys Tour Brings Celtic Punk Rock to Stubbs BBQ in Austin

The long-awaited Dropkick Murphys tour makes its way to Austin. With high-energy Celtic punk rock and even higher middle fingers at the legendary Stubb’s BBQ Amphitheater. 

It’s been two years since Dropkick Murphys brought their signature brand of Celtic rock to Austin. Judging by the hordes of fans decked in scally caps, Doc Martens, and kilts lined up around the block of Stubbs and packed in bars nearby before the show. You’d think it had been a decade or more. The band was finally back in town supporting the release of their 2021 album Turn Up That Dial. Other than co-frontman Al Barr bowing out of the tour to help care for his ailing mother. The show went on without skipping a beat.  

The show started with a bang as the band took the stage in full Celtic regalia. Lee Forshner began belting out the classic “Cadence To Arms” on the bagpipes. The moshing kicked off as the band segued into “Do or Die,” followed immediately by “Barroom Hero.” 

Dropkickmurphys Stubbs March 2022 Tracyfuller 1 Of 1 5 Noise From The Pit
Dropkick Murphys Tour Brings Celtic Punk Rock To Stubbs Bbq In Austin 63

By the time Ken started chanting out “The Boys are Back,” the fans were surfing across the crowd while beer cans flew overhead. Later in the set, the band brought out their opening acts to join them on stage. Together they played Ahern’s “Caught in a Jar,” The Rumjacks’ “Worker’s Song” and The Bombpops’ “The Dirty Glass.” 

As the night drew to a close, the Dropkick Murphys then performed their 2013 hit “Rose Tattoo”. Then followed immediately with the well-timed “Kiss Me, I’m Sh*tfaced” because by that time a number of fans were indeed quite sh*tfaced.

Of course, no Dropkick Murphys tour is complete without the Celtic punk anthem “I’m Shipping Up to Boston.” The crowd chanted along with the full force of 2,500 drunken Irishmen and women. It was the perfect end to a long-awaited night. 

Dropkick Murphys Tour Setlist

  1. The Lonesome Boatman(The Fureys cover)
  2. The Boys Are Back
  3. Do or Die
  4. Barroom Hero
  5. Blood
  6. Johnny, I Hardly Knew Ya
  7. Turn Up That Dial
  8. Middle Finger
  9. The Warrior’s Code
  10. Caps and Bottles
  11. Boys on the Docks
  12. We Shall Overcome
  13. The State of Massachusetts
  14. Queen of Suffolk County
  15. Curse of a Fallen Soul
  16. Police on My Back(The Equals cover)
  17. Going Out in Style
  18. Caught in a Jar(with Jesse Ahern)
  19. The Body of an American(The Pogues cover) (with Mike Rivkees of the Runjacks)
  20. The Dirty Glass(with Jen Razavi)
  21. Amazing Grace(John Newton cover)
  22. Rose Tattoo
  23. Kiss Me, I’m Shitfaced
  24. Worker’s Song
  25. Good as Gold
  26. I’m Shipping Up to Boston
AT&T Center welcomed back the return of Prog-Metal band Tool

AT&T Center welcomed back the return of Prog-Metal band Tool

Photos & Review By Michael Mullenix

Prog Metal Masters Tool Showcase Their Legacy Ranging From Opiate To Fear Inoculum

Wednesday, February 2nd, The AT&T Center welcomed back the return of Prog Metal band Tool back to the arena for an unforgettable night. A curtain made entirely of thin fabric strings surrounded the stage as the house lights went down. Then lit up with floating eyes and aethereal figures as the band picked up their gear and launched into the title track from the last album, Fear Inoculum.

This setlist was one of the longest I have seen any band put on. Strangely enough, composed primarily of hidden gems. Highlighting often overlooked songs like The Pot, Opiate, and The Grudge gave fans visceral reactions throughout the arena. What’s remarkable about the fervor on display was that this was a band simply comfortable at their stations showing off their craft. They seemingly appeared undistracted by the thousands of people in front of them.

At the end of the day, the simple reality of Tool is they are the highest elevated Prog Metal artist. Perhaps the one band responsible for bringing the genre to the masses. It’s not like there was any dynamic acrobatics or pyrotechnics involved; their performance was defined by a bunch of skillful musicians playing in front of an occasional light show. For an example of the band’s legacy look at the set closer for the song Hooker With a Penis; the raw energy of this song mixed with the vaguely punk-influenced sensibilities. It harkens back to the days this band would be playing a much more stripped-down rendition at the beginning of their career. In fact, it was the only song without any video playing on the screen behind them (I wonder why).

Tool Shows The Crowd Why They Are True Prog Musicians

After a 12 minute intermission, drummer Danny Carey climbed behind his kit for the extended Drum solo. The drum solo is called Chocolate Chip Trip. Afterwhich, the rest of the band returned to the stage and took seats at the front for the song Culling Voices. As the slow soothing intro gave way to the more aggressive sections of the song. The band set off confetti dispensers above the audience, raining shimmering strands on the crowd. In an interesting decision, the band decided to close the encore with songs from the latest album. Rather than time-worn classics and really showcased the power behind such pieces as Culling Voices and Invincible. The audience left clambering for more! The show was a great success in every sense. It’s always nice when you can see your favorite bands live and this one certainly lived up to expectations.

Bad Religion Returns To Stubbs Austin & Delivers For A Hungry Crowd

Bad Religion Returns To Stubbs Austin & Delivers For A Hungry Crowd