Pantera fans, rejoice! The legendary metal band made a triumphant return during their first show of 2024, and they brought back a fan-favorite song that hadn’t been played since 2001. Yes, you heard it right. Pantera performed “Floods” for the first time in over two decades, much to the delight of the audience. In this article, we’ll dive into the details of the show, the setlist, and even provide some video footage for you to relive the experience.
Pantera’s 2024 Tour Opener
The electrifying performance took place on February 3rd in Sunrise, Florida, marking the beginning of Pantera’s highly anticipated 2024 tour. The band kicked off the night with a bang, opening the show with “A New Level” from their iconic album, Vulgar Display of Power. From there, they took the audience on a wild ride through their discography, delivering a powerful set that reminded everyone why Pantera is considered one of the greatest metal bands of all time.
The Setlist
Pantera treated their fans to a 13-track setlist that spanned their illustrious career. After the explosive opener, they unleashed a series of hits, including “Mouth for War,” “Strength Beyond Strength,” and “Becoming.” The crowd erupted with energy as the band played their classic anthems, such as “I’m Broken,” “5 Minutes Alone,” and “Walk.” But the highlight of the night was undoubtedly the long-awaited performance of “Floods” from their album, The Great Southern Trendkill. It was a moment of pure nostalgia and reverence for the late Dimebag Darrell, whose exceptional guitar solo on the song has become legendary.
The Video Footage
For those who couldn’t attend the concert, fear not. Pantera shared a video from the performance on their Instagram, allowing fans to catch a glimpse of the electrifying atmosphere and witness the magic of “Floods” being played live once again. Additionally, some passionate fans captured their own footage, giving us multiple perspectives of the unforgettable night. We’ve compiled the band’s official video and some fan-filmed clips below for you to enjoy:
This show was just the beginning of Pantera’s 2024 tour, which will see them performing in 14 cities across North America throughout the month of February. They have teamed up with the powerhouse band Lamb of God as their opening act, promising a night of pure metal mayhem for fans lucky enough to attend. The tour will conclude in Quebec City on February 27th, before the band heads to Australia for a series of Knotfest shows in the following month.
Celebrating Pantera’s Legacy
The 2024 tour holds special significance for Pantera and their fans. It serves as a celebration of the band’s legacy, paying tribute to the late Dimebag Darrell and Vinnie Paul. The tour was announced in the summer of 2022, with the exciting news that Zakk Wylde and Charlie Benante from Anthrax would be joining Philip Anselmo and Rex Brown onstage. The shows in December of that year marked the beginning of this extraordinary journey, and now, with “Floods” making its long-awaited return, the tour has reached new heights of excitement and emotion.
Pantera Setlist – February 3, 2024 (Sunrise, Florida)
Here is the complete setlist from Pantera’s tour opener:
1. “A New Level”
2. “Mouth for War”
3. “Strength Beyond Strength”
4. “Becoming”
5. “I’m Broken”
6. “Suicide Note Pt. II”
7. “5 Minutes Alone”
8. “This Love”
9. “Floods”
10. “Walk”
11. “Domination / Hollow”
12. “Cowboys From Hell”
Encore:
13. “Fucking Hostile”
FAQs
1. **Will Pantera be performing “Floods” in future shows on their 2024 tour?**
– While we can’t say for certain, the inclusion of “Floods” in the setlist for the tour opener suggests that there’s a good chance they will continue to perform it throughout the tour. Be sure to catch one of their upcoming shows to experience this iconic song live!
2. **Are there any special guests joining Pantera on their 2024 tour?**
– Yes, Pantera has enlisted the talents of Zakk Wylde and Charlie Benante from Anthrax to join them on stage for this celebratory tour. With these incredible musicians by their side, the shows promise to be unforgettable.
3. **Will Pantera be touring outside of North America in 2024?**
– After their North American tour dates, Pantera will be heading to Australia for a series of Knotfest shows. So, if you’re located Down Under, you’ll have the opportunity to catch them live as well!
Sons of Silver, the Los Angeles-based musical powerhouse, is set to captivate your senses with their latest single, “Tell Me This,” a sneak peek into their upcoming album, Runaway Emotions, scheduled for an early spring release. The single is dropping on February 2, marking a musical journey that promises to be nothing short of extraordinary.
The Genesis of “Tell Me This”
This electrifying track kicks off with a mesmerizing Johnny Thunders-esque guitar solo, exuding a Stones-like fury with a lyrical nod to the iconic Smiths. Vocalist and guitarist, Peter Argyropoulos, unveils the inspiration behind “Tell Me This” – a practice riff that evolved into something spectacular. It was shelved for a while until the band’s drummer, Marc Slutsky, joined with his thumping backbeat, breathing new life into the song. The result? A musical masterpiece that transcends boundaries.
Meet the Maestros Behind the Magic
As the sonic architects of this musical journey, Sons of Silver comprises a stellar lineup. Alongside Argyropoulos and Slutsky, the band features keyboardist and engineer Brina Kabler, guitarist Kevin Haaland (of Skillet fame), and bassist Adam Kury (formerly of Candlebox). Together, they create a symphony that resonates with energy and intensity.
Runaway Emotions: A Sonic Odyssey
Runaway Emotions, the upcoming album, marks Sons of Silver’s debut full-length project. Following the success of their EPs, Doomsday Noises and Ordinary Sex Appeal, the band takes their self-produced sound to new heights. Rock N Blues Muse hails their work, stating, “the self-produced set refines the rock and roll formula and makes it vital and relevant all over again.” Distributed by Universal Music Group’s Bungalow label, the album promises to be a game-changer in the music scene.
Crafting Brilliance: Behind the Scenes
Self-produced by the group, Runaway Emotions boasts the expert touch of renowned producer/engineer Tim Palmer, known for his work with legends like Robert Plant, David Bowie, and U2. The record is a testament to Sons of Silver’s ability to seamlessly blend raw talent with production finesse, accumulating over nine million views and streams across their discography.
In conclusion, Sons of Silver’s “Tell Me This” not only offers a glimpse into their upcoming album but also showcases the band’s evolution and commitment to pushing musical boundaries. As they continue to redefine rock and roll, one can’t help but be swept away by the sheer brilliance that is Sons of Silver.
“Barely Breathing” takes listeners on an intricate sonic journey, with Matt Brandyberry’s clean vocals, Danny Case’s impassioned screams, and Chrissy Costanza’s melodic contributions weaving a musical tapestry that explores the depths of emotion. The lyrics vividly depict a turbulent romance, leaving lovers “barely breathing.”
Collaborative Alchemy
In a unique collaboration, FROM ASHES TO NEW enlists Chrissy Costanza, elevating “Barely Breathing” to new heights. Matt Brandyberry reflects on the significance, stating that her dynamic addition gives the song a fresh identity. The synergy of voices symbolizes the power of collaboration in the music industry.
Visual Symphony
Drawn from dark cover art inspiration, the visually striking music video directed by JOSIAHx enhances the emotional intensity of “Barely Breathing.” A captivating visual narrative unfolds, complementing the powerful lyrics and adding a layer of depth to the listener’s experience. It’s a testament to the band’s commitment to delivering a complete and immersive artistic encounter.
BLACKOUT: An Apocalyptic Prelude
In the context of the lyrics analysis, “Barely Breathing” aligns seamlessly with the broader theme of BLACKOUT, FROM ASHES TO NEW’s critically acclaimed concept album. BLACKOUT acts as a prequel to their debut, DAY ONE, providing a unique perspective on a distressed world. Explore the creative process behind chart-topping singles like “Hate Me Too” and “Nightmare.”
Mastering Genre Fusion
From hard rock to nu metal, FROM ASHES TO NEW’s genre-defying blend has carved a niche in the music scene. The band’s ability to seamlessly fuse different genres, including hip-hop, electronic, and alternative music, creates a captivating sound that resonates globally. Dive into the intricate details of their genre fusion mastery.
Triumphs and Resonance
Celebrate the band’s triumphs, including a headlining U.S. tour and back-to-back sold-out hometown shows. The fan excitement and anticipation for new tour dates in 2024 showcase the band’s impact on alt-metal enthusiasts. FROM ASHES TO NEW is not just a band; it’s a force to be reckoned with in the music industry.
The Anticipation of 2024
As we eagerly anticipate what FROM ASHES TO NEW has in store for 2024, one thing remains certain – their commitment to pushing boundaries and delivering a thrilling musical journey. The anticipation builds as fans await new releases and tour dates, eagerly staying connected with the band’s evolving narrative.
Fan Perspectives and Engagement
The audience plays a crucial role in FROM ASHES TO NEW’s journey. Engage with fellow fans in the comments section below. Share your thoughts on the emotional impact of “Barely Breathing” and contribute to the collective experience of the alt-metal community.
Joining the Musical Conversation
Become a part of the Noise From The Pit community. Join our Facebook group here to engage in discussions, share your favorite moments, and connect with like-minded music enthusiasts. Let the conversation amplify the shared passion for alt-metal.
Unveiling Exclusive Content
As we delve into the details of the lyrics and music analysis, the promise of exclusive content and behind-the-scenes insights becomes even more enticing. Stay tuned for future releases and witness firsthand the band’s commitment to pushing boundaries and delivering captivating musical experiences.
“Barely Breathing” is not just a song; it’s a testament to FROM ASHES TO NEW’s ability to craft emotionally resonant music. This article has delved into the various facets of their latest release, offering an in-depth exploration of the sonic journey, collaborative efforts, visual representation, and the band’s impact on the genre. As we look ahead to 2024, the anticipation for what FROM ASHES TO NEW has in store intensifies. Join the community, share your thoughts, and stay tuned for the next chapter in their musical odyssey.
Join the Noise From The Pit Facebook Group Connect with fellow alt-metal enthusiasts in the Noise From The Pit Facebook group. Share your favorite tracks, discuss the latest releases, and be part of a thriving community. Join now here.
Los Angeles, CA – After a mind-blowing weekend headlining Aftershock and rocking the historic Power Trip festival, the iconic band TOOL is back with a bang! They’ve just announced an exhilarating month-long U.S. tour that promises to kick off 2024 with a bang. Brace yourselves for their return to the legendary Madison Square Garden, marking the first time since their unforgettable show in 2001, and get ready for a doubleheader extravaganza at Los Angeles’ Crypto.com Arena.
Tickets On-Sale This Friday!
Set your alarms for Friday, October 13 at 10 a.m. local time, because that’s when the tickets will be up for grabs! But wait, there’s more. TOOL Army members, you’re in for a treat! You get an exclusive chance to snag those coveted pre-sale tickets starting from October 11 at 10 a.m. local time through October 12 at 10 p.m. local time. And that’s not all. A limited number of VIP packages will also be initially available to TOOL Army members, featuring premium tickets, soundcheck access, exclusive merchandise, and more. For those not part of the TOOL Army, fret not – the general public on-sale begins on October 13. For ticketing links and additional information, visit Toolband.com.
Elder Opens on All 2024 Dates
Here’s the moment you’ve been waiting for, the TOOL 2024 tour dates:
January 10: Baltimore, MD – CFG Bank Arena
January 12: New York, NY – Madison Square Garden
January 13: New York, NY – Madison Square Garden
January 18: Hollywood, FL – Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood
January 19: Hollywood, FL – Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood
January 21: Charlotte, NC – Spectrum Center
January 23: Nashville, TN – Bridgestone Arena
January 24: Atlanta, GA – State Farm Arena
January 26: Birmingham, AL – The Legacy Arena at The BJCC
January 27: Biloxi, MS – Mississippi Coast Coliseum
But wait, there’s more! TOOL is currently on the road, with a show scheduled for tomorrow night at Salt Lake City’s Delta Center. Don’t miss their string of dates, which include their first Canadian performances since 2019. Steel Beans will be opening for all of the remaining 2023 shows:
October 11: Salt Lake City, UT – Delta Center
October 12: Idaho Falls, ID – Mountain America Center
October 14: Nampa, ID – Ford Idaho Center
October 15: Spokane, WA – Spokane Arena
October 17: Eugene, OR – Matthew Knight Center
October 19: Portland, OR – Moda Center
October 20: Tacoma, WA – Tacoma Dome
October 22: Kelowna, BC – Prospera Place Arena
October 23: Vancouver, BC – Rogers Arena
October 25: Edmonton, AB – Rogers Place
October 27: Calgary, AB – Scotiabank Saddledome
October 29: Winnipeg, MB – Canada Life Center
October 31: St. Paul, MN – Xcel Energy Center
November 1: Milwaukee, WI – Fiserv Forum
November 3: Knoxville, TN – Thompson-Boiling Arena
November 4: Charleston, WV – Charleston Coliseum
November 6: Rochester, NY – Blue Cross Arena
November 7: Allentown, PA – PPL Center
November 10: Uncasville, CT – Mohegan Sun Arena
November 13: Manchester, NH – SNHU Arena
November 15: Boston, MA – TD Garden
November 16: Philadelphia, PA – Wells Fargo Center
The reviews of TOOL’s recent live performances have been nothing short of spectacular. Loudwire has hailed their shows as “a masterclass of immersion, sound, and stage design, musicianship… and levels of ungodly tightness.” The Austin Chronicle described their live experience as an “unbridled exchange of catharsis between performers and fans,” and Revolver said, “TOOL delivered a stunning… set featuring classic fan favorites, newer Fear Inoculum standouts, and choice deeper cuts … the striking visuals also included a psychedelic laser and projections show bar none.
A Legacy of Excellence
TOOL, formed in 1990, boasts an impressive discography with five studio albums, two EPs, and the limited-edition boxset Salival. The band has clinched four GRAMMY Awards® for their outstanding contributions to metal music. TOOL comprises Danny Carey on drums, Justin Chancellor on bass, Adam Jones on guitar, and Maynard James Keenan as the vocalist.
Don’t miss the chance to witness TOOL’s electrifying performances on their upcoming 2024 tour. It’s an event that’s bound to leave you awe-struck and craving for more. Get ready to embark on a sonic journey like no other, and secure your tickets as soon as they go on sale. TOOL is back, and they’re ready to rock your world!
Let me start this review by stating this isn’t going to be a slam piece or article bashing the festival, however I will be giving a full recap of my own experiences and talking about the good bad and the ugly.
With that being said, lets get started.
I was sent to Blue Ridge Rock Festival by Noise From The Pit with a goal of shooting some amazing photos of bands all weekend, meeting new and familiar faces, and generally to have a good time.
09/07/23-09/10/23 was a weekend that I had planned around for a while and I was eager to get on the road. It was a short trip from rural South Carolina to even more rural Alton Virginia. This would be my wife’s first music festival in the USA as well so we were both ready to do this together.
Once arriving to the Virginia International Raceway the venue where this event would be held we both were amazed at how large this venue was. Inside this insanely huge venue were 4 stages. 2 stages that were considered the “Main Stages” and 2 “side stages” but with the amount of bands any of these stages could have easily headlined their own respective festival.
With bands such as Slipknot, BabyMetal, Pantera, Megadeth and so many more you had to absolutely plan out your days around the bands you wanted to see because there simply aren’t enough hours in the day to see everything.
We arrived to the staff area to pick up our photo passes and credentials and to the festival’s credit this was a very simple and amazingly fast process. To the lady working that window thank you for your kindness and I hope you are doing well! After this my wife and I walked to what was essentially day 0. This was the pre party show that they were putting on for the camping fans already in attendance.
We arrived a little late and walked to the stage to catch a few of the bands playing. I only took photos of one band this night Burden Of The Sky:
These fellas knew how to get the crowd into a rush of love. They had some slight sound issues but it was quickly resolved. If this was any indication as to how the weekend was going to go I think to myself its going to be smooth sailing.
As I took photos I met another photographer from Japan named Marina. I walked up and asked if she was from Japan, to which Im not sure if she understood or if the music was too loud. I re-asked her but this time in Japanese. I could see she was a little taken aback. It’s an odd sight seeing a 6 foot 2 fat white guy speaking Japanese but much less at a rock festival in America of all places.
After some introductions and the initial shock wearing off we said we would see each other tomorrow and my wife and I left to our hotel for the night 35 mins away.
Day 1.
Once we get to the grounds the next day we decided to plan our attack. Today was a day where I planned to take photos of about 9 different bands. We arrived and decided to find the media lounge that eluded us from the previous day. Once we had our gear stored and ready we hit the grounds walking around and taking in the day. It was hot… much hotter than I had imagined. No worries we walked over to one of the what seemed like hundreds of food booths. We asked for water to which they replied “we don’t serve drinks you have to go to one of the tents marked BAR” no worries as there were plenty of those as well.
The bartenders were friendly. I ordered 2 bottles of water to help us in our adventures. $8 was the cost of 2 bottles. At $4 a piece that’s what I was expecting at least. However when I pulled out my credit card and ran it the total was $13 before the tip I gave. I didn’t think much of it just chalking it up to maybe a miskey. We walked down to the main stage and started taking photos of the bands that were on the stage. We got set up for what was going to be a long main stage night. After taking photos of Stitched Up Heart, Adema, the band CKY was set to take the stage. As they are getting set up, a woman and man walked out on stage… I couldn’t believe my eyes but it was April and Phil Margera. The parents of Bam and Jess Margera! There were here to introduce CKY! Very awesome to see this as Jess Margera being the drummer of CKY it was nice to see some good feel good moments for some of the Margera family during what has I am sure a difficult time with their family. After CKY I was excited to for the first time in my photography career take photos of Coheed and Cambria. This is a band I have seen many times as a fan but never in a professional setting. Little did I know this was about to be the end of day 1.
Coheed took the stage with a small drizzle of rain starting, they kicked off into Vaxis ||’s intro, and following that Beautiful Losers. During the intro however the rain became intense. 40-60MPH winds whipped up and the rain drops felt like water balloons. I kept shooting all that I could until I hear Coheed utter the words “Thank you!” and they walked off stage. At this point we wondered what would happen. We took our camera gear back to the safety of the media tent and waited. Once we heard thunder and then saw lightning even that tent was deemed unsafe for us and we were told to evacuate the grounds. Under normal circumstances this wouldn’t have been bad, however this was a huge music festival with over 50,000 people in attendance. We packed up my macbook and camera and made the what was supposed to be 20 ish minute walk to our car. I wish I could tell you that’s what happened. Unfortunately the mass amount of people trying to evacuate leaving the main gate caused a human traffic jam. We all tried to make light of the situation until the rain started heavy again and this time it hurt.
It wasn’t just rain we were dealing with this time… hail started. We were getting pelted with dime sized hail. We waited on this road with trees on each side of us while in a hail storm wondering why the line wasn’t moving. We decided to run through the woods to try to bypass the line as much as we could to get to staff parking so I could get my gear out of the rain and wet. No avail. We had to sneak and crawl past everyone as best as we could. Once we arrived to the gate where the shuttle buses were supposed to be picking up people there was a lone security guard trying to wrangle the mess of people waiting on the shuttle busses. I tried my best to be calm and understanding and tell and show him our credentials to get past him so we could finish the rest of the 5 min walk to our car from there but he was not having it. He decided to scream at us and everyone else, which in this case wasn’t helping. I grabbed my wifes had and told her to hold on… I basically shoulder blocked my way past this guy because at this point he was in his own zone… I just wanted to get back to my car and try to wait this out.
We ran into a couple other photographers on their way back to their cars who thanked me for pushing through that guy. After that nightmare of being in a rain/hailstorm for over an hour we arrived back at my car. I took off my wet clothes and put my bag into my car. Turned on the car and blasted the heat to try to dry off. I opened my backpack to check on my gear and to my dismay… my macbook was dead. Completely water damaged. No saving it at this point. We waited to see if we could possibly be let back in for the rest of the night but after waiting for 45 mins in the car we didn’t see the sky getting any clearer so we made the decision to go to walmart get some dry clothes and then head back to the hotel. Tomorrow was going to be a busy day so this was just a minor setback and as sad as I was about my MacBook I was just happy my wife and myself were safe.
Day 2.
This was going to be a new day and they were not calling for any bad weather today so I woke up extra early for this day. Woke my wife up and asked her if she was gonna get ready. She replied: Not after what happened yesterday. I need a break and rest. I don’t blame her… it being her first festival I knew she wasn’t used to the crazy that can go on at these things. I got ready and headed back for day 2.
I had to make a quick stop at Walmart to get some supplies for my friends that were out on the grounds camping. 5 hour energy drinks, zip ties, and duct tape for them to help fix their camp site from the storm yesterday. After getting the supplies and heading back to the festival, I made the trip back to the Media Lounge area. I met another photographer from Florida on the walk in, we talked about bands we’ve shot, things we have done and just festival life in general. On this day I had around 7-10 bands I wanted to focus on, but with all of them one I wanted to shoot the most was the headlining act Slipknot. Throughout the day the festival seemed on track for what was going to be great success. Plenty of acts doing their shows I went to one of the side stages and happened to meet up with an old friend who I met on Xbox live over 15 years ago but we have never met in person.
Once I was ready I headed to a stage to get set up for photos. I was told we would have to talk about photographing Slipknot but that wasn’t a huge thought for the time being I had other bands to shoot. I got to the stages and got to work. one by one bands came out and rocked the crowd of what looked like over 50,000 people. Coal Chamber, Knocked Loose, Flyleaf, and then a band who I hadn’t heard of called “Sleep Token” took the stage. This band was some kind of anomaly. All the members are anonymous. I noticed the crowd has SWELLED at this point. This band had up to this point the largest crowd of the entire festival. Their music was a melodic mix of singing, talking and screaming. I was intrigued beyond belief.
After that amazing set I walked up to see what the news about Slipknot was. I was informed I had lost my chance to shoot them. There was limited spots available to photograph them and it crushed me. I knew I still had Motionless in White left to shoot but I was absolutely looking forward to Slipknot. I still did my best but after losing that chance I debated leaving the festival before Slipknot played.
I am glad I didn’t leave because I haven’t seen Slipknot since the 2009 All Hope Is Gone world tour. I stayed in the crowd and enjoyed their set from about 2 football fields back. It was nice to just be a fan for what had been a long but amazing day with no hiccups in acts. Met an old friend from the juggalo world who was selling beer as a vendor on the grounds. Made sure to buy a water from him and toss him a nice tip. (By the way guys always tip those vendors because they need those tips!)
Slipknot came out and played a medley of their hits. I heard all of my favorites and enjoyed the show, once I had seen enough I decided to head back to the hotel and see my wife. Tell her how awesome day 2 had went. Once back to the hotel I sat looking at my photos and had a sense of pride that I was taking amazing photos and working at BRRF. Tomorrow would be day 3 and my most important day. ICP, Dethklok, Megadeth and a band who I have been wanting to shoot in America for a long time… Babymetal.
Day 3.
Day 3 started off with a text from our media coordinator “Storm is coming in, stand by for details on when the gates will open.” or something to that effect. My wife and I decided to sleep in a bit as the rain came trough around 10am. Once the rain had slacked a bit around 1pm we got dressed. We decided to go to a local fast food establishment and grab some energy for the day ahead of us. We were in the line when the news hit. “day 3 has been cancelled.” I was in my car absolutely crushed. Not only do I not get to see my boys in ICP who I haven’t seen or communicated with since I moved back to America… but my chance to photograph Babymetal was just cancelled. I looked at my wife with the most sad look I think I have ever given anyone. “Well what do you want to do darlin’?” We decided to go to the Danville VA mall. This old mall with about 10 shops in it, and a small food court. We hung around the mall for a while just walking around noticing all the Blue Ridge Rock Fest shirts inside we weren’t the only ones who had this idea. It was getting close to dinner time, and it was about that time my phone buzzed in my pocket it was an official post from the BRRF social media account stating that “due to weather the remainder of the festival would have to be cancelled for concert goers safety” This was ultimately the death of Blue Ridge Rock Festival 2023.
We had driven 4 hours for what was billed as one of the biggest and best rock festivals over 4 days only to get 1 and a half days of performances. It wasn’t all bad on my end. I have heard things from concert goers that I’m not going to speak on because I didn’t experience them. However that doesn’t mean I am saying it didn’t happen. This review is my experience of the festival.
At the end of the festival I can say there were some positives. The festival seemed to have plenty of food stalls, plenty of options of food, plenty of drink bars available for purchasing of water and other drinks. Stages had great sound and were on time pretty much consistently.
There were negatives some of which were awful, with the hailstorm and the horrific evacuation plan along with security being less than helpful in that situation.
I can say overall I had a good time with some disappointment sprinkled in. If they do this event again I would like to see more planned out evacuation plans, and some preparation in place in case of bad weather again. I wanna shout out to Noise from the Pit for sending me out there. The media coordinator for the event for being absolutely the best i’ve ever experienced. Everyone I met out there I hope you all can see the event for the positives throughout all the negative.
What did you think of the festival? Did you attend? Did you have a positive experience with the time that we did get?
A Journey into Tech N9ne’s Latest Musical Universe
September 19, 2023, is a day to remember in the hip-hop community. Tech N9ne, the titan of independent rap, has dropped a visually captivating music video for his buzzing single “Pull Out,” featuring Head DA DON. This isn’t just another track; it’s a declaration of his unmatched skill and adaptability.
“Pull Out” Makes Waves in the Top 40
The single “Pull Out” has not only ignited the airwaves but also ascended into the Top 40 on Urban radio charts. The video is a spectacle, showcasing Tech N9ne and Head DA DON navigating the streets of Kansas City in a flashy red Maserati. The video peaks with a grand pool party, perfectly encapsulating the track’s lively and carefree vibe.
BLISS: A Fusion of Musical Styles
The single is a cornerstone of Tech N9ne’s newest album, “BLISS,” launched under his own Strange Music imprint. The album is a musical kaleidoscope, melding R&B, soul, alternative rock, and even heavy metal. Featuring collaborations with artists like Joyner Lucas and Durand Bernarr, “BLISS” stands as a testament to Tech N9ne’s rapid-fire lyrical prowess and bold genre experimentation.
Rave Reviews and Streaming Milestones
The album has already crossed the 10 million stream mark and has been lauded by critics. Publications like HotNewHipHop have extolled Tech N9ne’s “intricate, whimsical, and engaging lyrics,” while The Pitch Kansas City has emphasized the album’s emotional richness and diversity.
A Universe of Its Own
Tech N9ne’s musical realm continues to expand and diversify. The album boasts a roster of high-profile contributors, including Conway the Machine and X-Raided. Songs like “W H A T (We’re Hungry And Thirsty)” have already hit the 1 million stream milestone on Spotify, earning accolades from esteemed outlets like KERRANG! and Revolver.
The Hollywood & N9ne Tour: Dates Announced!
Tech N9ne is also gearing up for the “Hollywood & N9ne Tour,” co-headlined with rock giants Hollywood Undead. The tour is set to commence on October 16 and promises to be an electrifying experience for fans from coast to coast. Here are the tour dates:
10/16 – Chesterfield, MO – The Factory
10/17 – La Vista, NE – The Astro
10/18 – Chicago, IL – Radius
10/19 – East Moline, IL – The Rust Belt
10/21 – Denver, CO – The Fillmore
10/23 – Grand Junction, CO – Grand Junction Convention Center
10/24 – Salt Lake City, UT – The Complex
10/26 – Riverside, CA – Riverside Municipal Auditorium
10/27 – Las Vegas, NV – The Theater at Virgin Hotels Las Vegas